![]() For over two months, they worked in separate rooms on individual tracks based on a rough concept and outline that Jordan had put together. So, finding a time when Brad could make the trip with his family, they blocked three months off to write and rented a studio space to work 9-5 through the week. Out of necessity, the incubation period for ideas began with back and forth over the internet, but the bulk of the writing had to be done together in their hometown of Grand Rapids. Only three members were living in Michigan when they started writing, with drummer Bradley Vander Lugt now living in Australia. Panorama has not been without its challenges, both creatively and practically. And, in doing so, they have broken through their own ceiling and set a new one. It’s heavier and weirder than previous efforts, taking the intensity of Wildlife and the patience of Rooms of the House and using them as pillars upon which to build something new. It’s a highly ambitious and deeply affecting body of work that filters narrative storytelling through a personal lens, like a set of Joan Didion essays set to music. Recorded between November 2017 and August 2018, Panorama is in many ways a continuation on a theme. Their fourth full-length, Panorama, is the first fruit of this new relationship. After Vagrant was bought out by BMG in 2014, the band found themselves looking for a new home, ultimately finding one in Epitaph. Their first two records came out on Californian independent label No Sleep – trusted home to many of the bands they cut their teeth alongside – while Rooms of the House was released through their own label, a subsidiary of Vagrant records. La Dispute has always kept a tight grip on their own reins. Casting a wide stylistic net that includes – but isn’t limited to – jazz, blues, spoken word, screamo and prog rock, La Dispute have developed a sound that, while constantly evolving, is unmistakably theirs.Ī lot of structural change has taken place around the band since Rooms of the House that has forced them to adapt. From their 2008 debut (in their current formation) Somewhere at the Bottom of the River Between Vega and Altair, to 2011’s Wildlife, to 2015’s Rooms of the House, La Dispute have continually pushed themselves to find new ways to portray some of the most difficult and universally affecting subject matters. The five-piece from Grand Rapids, Michigan, is responsible for some of the most uncompromising, experimental hardcore music of the last decade. La Dispute has never been a band prone to settling. All patrons subject to search upon venue entry. Opening acts and set times are subject to change without notice. All sales are final unless a show is postponed or canceled. All bags larger than 12 inches x 12 inches, backpacks, professional cameras, video equipment, large bags, luggage and like articles are strictly prohibited from the venue. Please make sure necessary arrangements are made ahead of time. Please note: This show is open to all ages. No service charge on tickets purchased in person at The Sinclair Box Office Wednesdays-Saturdays 12-7PM. Tickets available at AXS.COM, or by phone at 85.
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